The Occupied Wall Street Journal,”a four-page, full-color broadsheet newspaper, has gained surprising traction as a tool of protest at the Occupy Wall Street rallies in Manhattan.
The newspaper has flourished even though many of the demonstrators, here at Washington Square Park in Manhattan, are preoccupied with digital media.
THE MEDIA EQUATION
A Protest’s Ink-Stained Fingers
By DAVID CARR Published: October 9, 2011 New York Times
At the Occupy Wall Street demonstration in Zuccotti Park, you’ll find all of the essentials of a state-of-the-art protest: drum circles, cheeky and plaintive handwritten signs, and, next to a thrumming generator, a hub of social media activity, includinglive streaming of the proceedings
But amid the accouterments of modern political action, you will also find, of all things, a broadsheet newspaper, The Occupied Wall Street Journal. It is not some tatty, hand-drawn piece of protest samizdat, but a professionally produced, four-color, four-page document of the demonstration, which began on Sept. 17.
“Get your newspaper, get your free Occupied Wall Street Journal!” shouted one barker. Getting something in the hands of your average New Yorker is a pretty tough sell, but The Occupied Wall Street Journal was eagerly received, even by the people who just came to gawk, in part because it answered the question of what all the hubbub was about.
Forgive an old newspaper hack a moment of sentimentality, but it is somehow reassuring that a newspaper still has traction in an environment preoccupied by social media. It makes sense when you think about it: newspapers convey a sense of place, of actually being there, that digital media can’t. When is the last time somebody handed you a Web site?
“The act of one person giving another person a newspaper is important,” said Arun Gupta, one of dozens of people who helped put together The Occupied Wall Street Journal. “We wanted to come up with something that was beautifully designed and well-written that gives a tangible form to what is under way.” A call for the financing of the pop-up, instant newspaper went out on Kickstarter.com at the end of last month. An ad hoc group set out to raise $12,000 and has now surpassed $75,000.
The initial print run of 50,000 was augmented with an extra 20,000 copies as the money rolled in, with promotional assists from Michael Moore, Andy Bichlbaum of the performance artists the Yes Men, and others. Mr. Gupta edited the newspaper, along with Michael Levitin, a former Associated Press journalist, and Jed Brandt, a writer and activist, was the lead designer. Dozens of other people pitched in. A second issue hit the streets on Saturday, along with a Spanish edition of the first issue.
Mr. Gupta is a longtime newspaperman, having published The Indypendent, a free, left-leaning newspaper that circulates to 20,000 readers in print and online, primarily in New York, 16 times a year.
The Occupied Wall Street Journal is not the “official” newspaper of the protest because nothing is official in the world of Occupy Wall Street. Mr. Gupta said that consensus was the core principle governing the protest, but something more entrepreneurial was required to get an actual newspaper out.
Although the sentiment and some of the informational anarchy of the event is reflected in the newspaper, it is produced by experienced, if far from objective, journalists. (You can get a PDF of the newspaper atbit.ly/qi05ls.) “We didn’t think there would be much in the way of coverage of the event, so we thought it was important that there be a media outlet that reflected what was under way,” Mr. Gupta said. “A newspaper is tactile, engages all of the senses, and leads to more immersive reading than what people might do online.”