“I was arrested a number of times. I never thought in terms of fear. I thought in terms of justice.”
Portraits by Robert Shetterly
Subscribe or “Follow” us on RiseUpTimes.org. Rise Up Times is also on Facebook! Check the Rise Up Times page for posts from this blog and more! “Like” our page today. Find us on Twitter at Rise Up Times (@touchpeace). Rise Up Times is also on Pinterest, Google+ and Tumblr.
Born in 1916 in San Antonio, Texas, Emma Tenayuca lived at a time when Mexican-Americans were allowed few freedoms and fewer privileges. Her close relationship with a grandfather who read the newspapers with her and took her to rallies for the rights of the poor fed the young girl’s profound hunger for both learning and social justice.
At age 16, already determined to challenge injustice, she became involved in community organizing and was jailed and threatened numerous times. In a time when neither Mexican-Americans nor women were expected to speak out, she spoke out fearlessly, and was soon known as a fiery orator and a brilliant organizer.
By age 21, Emma was considered to be the most effective organizer for the National Workers’ Alliance. That same year, 1938, when the wages of the city’s lowest paid workers were cut almost in half, they decided to strike. The city’s 12,000 pecan-shellers, most of them women, elected Emma to lead their strike. In less than two months, the pecan-shellers forced the owners to raise their pay. The Pecan-Shellers’ Strike is considered by many historians to be the first significant victory in the Mexican-American struggle for political and economic equality in this country.
Emma was so articulate and outspoken, that the Workers´ Alliance replaced her when she was 22. There was only so much at that time for a woman — a Mexican woman — to be an ambitious and intellectual champion for justice.
In 1939, as Emma was giving a speech, an enraged mob attacked the San Antonio´s Municipal Auditorium. Fearing that she would be lynched, Emma was led away through a secret passageway. The mob threw bricks, broke windows, set fires, ripped out auditorium seats, and later that night, together with the Ku Klux Klan, burnt the city’s mayor in effigy for having defended Emma’s right to free speech. This event is still on record as the San Antonio’s largest riot.
Black-listed, Emma left the state for many years, suffering poverty, unemployment, and personal threats against her own safety. A voracious reader, she put herself through college, and never stopped searching for an answer to the injustices she saw around her.
In the 1960s, Emma returned to San Antonio and began a different phase of her life-long community service, becoming a reading teacher for migrant students. Emma always focused on empowering people in the most basic and humane ways: the ability to work, to eat, to feed one’s family, to read, to vote. The things she fought to achieve in our society — social security, unemployment benefits, minimum wage, equal access to education, disability benefits — were in her days called communist. Today, they are called social justice.
Yet among the people for whom she fought and spoke and went to jail, her name was whispered with a respect reserved for no other leader. They called her “La Pasionaria”. And they kept her story alive, even when so many others tried to erase it from history.
Robert Shetterly (born in 1946 in Cincinnati, Ohio) is an American artist. Shetterly is best known for his portrait series, “Americans Who Tell the Truth,” a project begun in response to U.S. government actions following the September 11, 2001 attacks on the World Trade Towers in New York City. Shetterly undertook the project as a way to deal with his own grief and anger by painting Americans who inspired him. He initially intended to paint only 50 portraits, but by 2013 more than 180 portraits were included in the series. Portions of the series tour widely across the United States, being shown in schools, museums, libraries, galleries and other public spaces.
For more biographical information and awards: TheArtist